Readers who play(ed) classic Dungeons & Dragons may remember that there were several magic spells that required chalking out mystic runes on some surface to get the effect to work. There were Explosive Runes (3rd level M-U), Aerial Servants that came only in response to a magic circle (6th level cleric), and all-purpose Symbols that could enslave or kill (8th level M-U). But maybe most famous was the Glyph of Warding (3rd level cleric), which could be tweaked and adapted like a piece of devious technology. Is it a booby trap? An unbreakable lock? It allowed sneaky players to devise all kinds of interesting delayed reactions.

The bleeder. This Glyph causes any wounds on the toucher or passer to open and begin bleeding even if the wounds are bound. Wounds will continue bleeding for 2 rounds per level of caster, such bleeding draining an additional 2 pts. every round.Not fun for the person who happens across this one! More recently, I encountered the word "unkin" in the novels of Hal Duncan (who is awesome because he's a Blogger blogger, and because of this). His version of this word refers to mortals who are touched by angels/demons and thus become "...transformed by the ancient machine-code language of reality itself."
But whenever I think about chalking weird geometric symbols on a wall for mystic effect, my mind goes first and foremost to the Twilight Zone -- the "Little Girl Lost" episode to be specific. In that story, a kid fell through the wall into a fourth dimensional portal and was rescued by a quick-thinking physicist with a piece of chalk...
It's been famously parodied by the Simpsons, and it may have been inspired by an earlier, weirdly abstract Jack Kirby comic. I always loved the idea that simple geometry could be the key to such "magical" outcomes.
And yes, I was probably the only kid in the class who looked forward to this on the ol' 16mm film projector. :-)
Mathemagic! That bit of animation is absolutely genius!
ReplyDeleteThis has me in thrall:
'His version of this word refers to mortals who are touched by angels/demons and thus become "...transformed by the ancient machine-code language of reality itself." '
I forget which of Hal Duncan's first 2 novels this is from: Vellum or Ink. They're certainly mind-bending, though I got a bit lost trying to follow everything he was trying to do with his narrative twists and turns...
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