Tuesday, June 25, 2019

Dangerous Reviews (1 of 3)

Last December, I said I was going to wait until I was done reading all 33 short stories in the 1967 sci-fi anthology Dangerous Visions before posting my mini-reviews.  Well, I'm not done yet, and I'm prone to procrastinate.  So I've decided to just post the first one-third of the bunch.  Maybe that will spur me to keep the reading and reviewing off the back burner.

In the following reviews, I'll do my best to avoid giving plot spoilers, but I won't hold back on anything else.  I'll sum up each review with one of three possible grades, which might be useful for readers who decide to pick up the anthology and want to avoid the clunkers.  Hopefully the names for the three grades (WOW, OKAY, and SKIP) are self-explanatory.  :-)


I won't be reviewing Harlan Ellison's introduction, or Isaac Asimov's two forewords.  They're interesting as character studies of these two titans -- and as an insight into some major sci-fi history -- but they're not what the seeker after visions dangereuses are really here for...


1. "Evensong" by Lester del Rey

Sorry, just a banal groaner.  I'm finding it hard to believe this was considered socially relevant, or even somehow remotely edgy, even in the 1960s.  SKIP.


2. "Flies" by Robert Silverberg

I'm sure I've read Silverberg before (I subscribed to Asimov's all through the 1980s), and I'd classified him in my mind as one of the good ones.  However, this story is pointless and unnecessarily crude.  Although the author's "big idea" is made abundantly clear at the end, (1) it's kind of just as stupid as that in the previous story, and (2) I can't quite believe the author thought readers would see past the shock-value and nod their heads sagely when seeing the big idea at the end.  SKIP.


3. "The Day After the Day the Martians Came" by Frederik Pohl

I liked this one.  It's very much a product of its time, and it's essentially all lead-up to a single punch-line at the end, but that punch line was kind of worth it.  OKAY.


4. "Riders of the Purple Wage" by Philip José Farmer

Holy crap... what a story.  At 30,000 words, it's the longest in the anthology, and so far it's been the most memorable.  A deep and phantasmagoric look into one possible future, and into the psyches of some of the people that inhabit it. The author cites Joyce's Finnegan's Wake quite a few times, but I think of it more as a crazy child of Joyce's peripatetic Ulysses, Jarry's absurdist Ubu Roi, and Huxley's soma-filled Brave New World.  If you can hold all three of those in your mind at once, you might be ready for the Purple Wage.  I fully acknowledge that, in a different frame of mind, I may have been turned off by the crazy stream-of-consciousness prose and the, um, vivid explorations of sexual taboos.  However, on the days I read it, its overall spirit and cleverness just happened to charm me.  I had to put the book down once every few pages to chuckle.  Its last words spoke to me directly.

This wild wild thing was definitely a product of the 1960s.  I hadn't heard about the Triple Revolution document before (and I can't say I'm a fan now that I have), but I've got to give Farmer points for extrapolating such an interesting future from it.  I also can't stop thinking about how this story fits into the wider scope of literature.  In addition to its forefathers Joyce, Jarry, and Huxley, I'm wondering if there was some influence from Tommaso Marinetti's blazing Futurist Manifesto.  Also, could it be possible that more recent fictions such as Idiocracy, Wall-E, and Demolition Man were influenced in some way by this particular dangerous vision?  WOW.


5. "The Malley System" by Miriam Allen deFord

The first half definitely went overboard on the "shock value" that seems to be an occupational hazard in this particular anthology, but I eventually understood the point of including it.  Interesting idea behind it all, but I'm fine with just saying SKIP.


6. "A Toy for Juliette" by Robert Bloch

Aha, now this is how to do shocking content, without the need to go overboard on the gross factor.  Nice twist at the end, though the editor's introduction kind of gave it away.  (Read the story first, if you can.)  Bloch's tale inspired Harlan to write the next one as kind of a sequel.  OKAY.


7. "The Prowler in the City at the Edge of the World" by Harlan Ellison

Now look, Harlan is the reason I'm here writing about this book, but I was less than impressed.  Knowing the genesis of this story from the introduction(s), it honestly felt like an unnecessary addendum to Bloch's Juliette.  Harlan did include some fascinating (and new to me) deep-dives into a historical topic that I'd assumed was already rather played out.  But I can't be very enthusiastic about this 20-page tale, after Bloch essentially said it all in just 6 pages.

For all of the above, I might have said to skip this one, but it's Harlan, and I can never recommend missing out on his impassioned prose.  OKAY.


8. "The Night That All Time Broke Out" by Brian W. Aldiss

Mildly entertaining sci-fi conceit, for the 1940s or 1950s maybe.  Aside from one drive-by mention of Nabokov's Lolita, I can't figure out for the life of me how this milquetoast story got included in a purposefully Dangerous™ anthology such as this.  SKIP.


9. "The Man Who Went to the Moon -- Twice" by Howard Rodman

This one still intrigues me.  Harlan's intro emphasizes how it may not seem initially very much of a sci-fi tale, and I agree that's it as subtle as all get-out.  Is it shockingly New Wave?  No, but that's kind of the point.  Definitely worth your time for fresh insight into the scope of history that transpired between the beginning and end of the 20th century.  WOW.


10. "Faith of Our Fathers" by Philip K. Dick

The ordering of the stories is interesting, because right after the last one (which was so understated and homespun) we get the psychedelic's psychedelic, the gnostic's gnostic, the source of weirdness at the heart of Blade Runner, Total Recall, and Man in the High Castle.

Actually, this is the first prose of Philip K. Dick's that I've ever read. I was a bit worried that it would be a drug-induced stream-of-consciousness, a la Bukowski or Ginsberg, but it wasn't.  It wore the clothes of a 1960s-era science fiction story quite comfortably.  Of course, it had those Dickian tropes we hear so much about:  Is this the real world?  Am I the one having the mind-melting hallucinations, or are they having me?  There was a taste of the Lovecraftian, too, and it reminded me a little of Neil Gaiman's "A Study in Emerald."  In the end, it felt a bit unfinished to me, but I guess Dick himself was working out these ideas throughout his whole life.  A lot of fascinating stuff to chew on, but I think I've got to give it an OKAY.


11. "The Jigsaw Man" by Larry Niven

I dunno.  If Niven's goal was to create a plausible extrapolation of present (mid-sixties) trends to a horrific possible endpoint, then mission accomplished I suppose.  But now, 50 years later, the scenario seems a bit silly.  Sometimes the future doesn't happen like you think.  SKIP.

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Stay tuned for reviews of the remaining 22...

2 comments:

  1. Cyg! Great to hear from you.

    I don't know this collection. I may need to check it out. You have me curious about the Rodman story.

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    Replies
    1. Rodman's story was pretty cool. Plain-spoken in a way that it could have been written by (oh, I dunno) Twain, Thurber, or Vonnegut. But with just enough of a whisper of something more that allows it into a sci-fi anthology.

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